Harper County Oklahoma has 17 places on the National Register of Historic Places including 1 place of National significance and 3 places of Statewide significance. Significant places include Cooper Bison Kill Site, Beagley-Stinson Archeological Site, Patsy's Island Site and Smith No. 2 Site and Buffalo City Park Pavilion.
Prehistoric cultural affiliation(s) include Native American, Paleo-Indian, Folsom Period, Plains Woodland, Late Prehistoric and Southern Plains Village dating back to 499 BC.
Some of the country's most noteable architects helped create the Harper County places including Maurice Jayne, H.A. Monhollon, William Shaw and Settler's Milling Canal & Reserv.. Prominent architectural styles found in Harper Country are Classical Revival.
Historic Significance:
Information Potential
Area of Significance:
Prehistoric
Cultural Affiliation:
Paleo-Indian, Folsom Period
Period of Significance:
499-0 BC
Historic Function:
Agriculture/Subsistence
Historic Sub-function:
Animal Facility
Current Function:
Landscape
Current Sub-function:
Conservation Area
Hunters trapped them in a gully. Around 10,500 years ago, Folsom people cornered herds of now-extinct Bison antiquus in a steep-sided arroyo in what we now call Harper County, Oklahoma. They didn't just do this once they returned to the exact same ravine for three separate hunts. Three layers of bones prove it. Archeologists digging at the Cooper site found twenty-nine distinctive Folsom projectile points mixed among the skeletal remains of over thirty bison. But the real kicker was a single skull. Someone had painted a red, zig-zag lightning bolt across the forehead of a bison skull using red ocher, likely to secure a successful hunt. It is North America's oldest painted artifact.
Excavators had to peel back layers of red Oklahoma clay to reveal this ancient slaughterhouse. The stratigraphy tells a wild story. Each of the three bone beds represents a distinct, highly coordinated slaughter where hunters used the natural dead-end topography to trap and spear dozens of massive beasts at once. The presence of the painted skull in the middle layer suggests a deep spiritual ritual tied directly to their survival strategy. It wasn't just about meat. It reveals a complex belief system and an incredibly intimate knowledge of the local terrain that allowed these nomadic hunters to thrive during the late Ice Age.